Henslowe writes: R at the Jewe of malta the 4 of febery 1593 ... ls
In modern English: Received at The Jew of Malta, 4th February, 1594 ... 50 shillings
Caravaggio's portrait of the Grand
Master of the Knights of Malta,
1607-8.
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The Jew of Malta had been one of the most popular plays at the Rose last year, but it belonged to the previous occupants, Lord Strange's Men; it's therefore puzzling to see it suddenly appear in the repertory of Sussex's Men.
But as we've already seen, one theory about the goings-on at the Rose this year is that members of the now-dissolved Strange's Men joined Sussex's Men. The originator of this theory, theatre historian Scott McMillin, proposed that Edward Alleyn himself (the great star of Strange's Men and son-in-law of Philip Henslowe) was one of those who joined. Today's performance of The Jew of Malta is the key evidence for Alleyn's presence: McMillin envisages him joining the company late into its season at the Rose, and this production being his triumphant return to the stage in one of his best-loved roles.
For me, the only thing that casts doubt on this theory is the box office return - it's much better than most plays at the Rose this season, but it doesn't suggest the thrilling return of a star actor not seen for a year. And if Alleyn did return today, his timing was awful because the theatres would close in three days' time.
What's next?
FURTHER READING
- Scott McMillin, "Sussex's Men in 1594: The Evidence of Titus Andronicus and The Jew of Malta", in Theatre Survey 32.2 (1991): 214-23
Henslowe links
- Transcript of this page of the Diary (from W.W. Greg's 1904 edition)
- Facsimile of this page of the Diary (from the Henslowe-Alleyn Digitisation Project)
Comments?
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