Henslowe writes: R at abrame & lotte the 9 of Jenewarye 1593 ... lijs
In modern English: Received at Abraham and Lot, 9th January, 1594 ... 52 shillings
Today, Sussex's Men introduced another of their plays to the Rose audience. Abraham and Lot is now lost, but it was clearly a Biblical drama about the characters from the Book of Genesis.
Abraham is of course a major figure in the Old Testament, and his life contained many incidents worthy of dramatic re-enactment. But if we assume that the play focused on his relationship with Lot, we can speculate on the play's likely plot. The following expands on Martin Wiggins' hypothetical reconstruction in his Catalogue of British Drama.
Abraham and Lot going their separate ways, from Wenceslas Hollar's Illustrations of Genesis |
Abraham rescuing Lot from the Elamites, etching by Antonio Tempesta (1613) |
Lot returns home to Sodom. But later, Abraham learns that God intends to destroy the cities of Sodom and Gomorrah because they are full of sinners (ch.18). Two angels visit Lot's house to warn him. Not knowing who they are, he hospitably invites them in for bread. But the men of Sodom gather outside Lot's house demanding that he send the visitors out so that they can "know" them. Lot refuses, and offers them his virgin daughters instead (yes, this is getting kinda disturbing, but don't blame me, I didn't write it). That's not good enough for the Sodomites who advance on the door. The angels therefore blind the men, preventing them from finding the door (19.2-11).
Lot's wife looks back at the destruction\ of Sodom and Gomorrah; from a mosaic in Monreale Catheral, Italy |
Perhaps the play also included the eyebrow-raising sequence in which Lot and his family end up living in a cave in the mountains. The daughters want children, and since there aren't any men around, they get Lot drunk and have sex with him, and end up giving birth to sons who found great dynasties (19:30-36). Again, don't blame me.
As you can see, there is a lot of dramatic potential in the story of Abraham and Lot, and it makes one wonder how such things as the destruction of Sodom and Gomorrah or the pillar of salt might have been staged. Some of the material about Lot's daughters raises questions though, to put it mildly, and I suspect that the players might have skipped over it.
Whatever the players did with this story, it was much more successful at the Rose than some of the other performances of late, receiving 52 shillings, which represents a very large crowd.
Further reading
Abraham and Lot information
- Genesis 13-24. (Quotations are from the 1587 'Bishop's Bible' translation.)
- Rosyln L. Knutson and June Schlueter, "Abraham and Lot", Lost Plays Database (2012).
- Martin Wiggins, British Drama, 1533-1642: A Catalogue, vol. 2 (Oxford University Press, 2012), entry 795.
Henslowe links
- Transcript of this page of the Diary (from W.W. Greg's 1904 edition)
- Facsimile of this page of the Diary (from the Henslowe-Alleyn Digitisation Project)
Comments?
Did I make a mistake? Do you have a question? Have you anything to add? Please post a comment below!
Middle paragraph: "angels visit Lot's house to *warn him."
ReplyDeleteThanks for keeping up the blog. Great as usual.
Yikes, thanks for spotting that! 'Warm him' was an amusing image, but perhaps not the point.
ReplyDelete